Términos

El desarrollo de modelos de computación para representar conceptos o sistemas dinámicos.

Úsese para modelos que intentan representar como un objeto, como un edificio, un barco o una ciudad, se veían en un tiempo pasado. Para dibujos, objetos o estructuras nuevas a escala real realizadas con una intención similar, use "reconstrucción".

Representaciones de condiciones, procesos, conceptos, etc. que usan el estudio científico de cantidades.

Modelos de constructor que comprenden un espaldar de maderos o una sección aserrada del casco con secciones de maderos montadas en él para representar los marcos de la embarcación propuesta.

Dispositivos que permiten que datos sean transmitidos entre ordenadores, generalmente a través de líneas telefónicas, pero a veces por cable de fibra óptica o frecuencias de radio.

Nationality, culture, and styles of the city of Modena, Emilia-Romagna, Italy.

Modificador que describe un color de intensidad y valor medio, a menudo se superpone en sentido con el modificador "medio".

Chinese script that evolved from the draft cursive script, and began to appear during the final years of the Han dynasty in the 2nd century CE. Its creation was accredited to Zhang Zhi and was later perfected by Wang Xizhi and his son Xianzhi in the 4th century CE. It is characterized by accelerated writing, continuous strokes, fluid movements, and expressiveness.

The stage of English that follows Middle English. Modern English is characterized by simplified inflectional systems, by an increasingly standardized and stable system of orthography, and by the introduction of new vocabulary, especially as a result of significant social changes over the period and the development of English as a world language.

Variante del art nouveau basada en obras francesas e influenciada por obras de Edward Burne-Jones y William Morris. El término se aplica especialmente a la arquitectura y al diseño de muebles.

An art movement spearheaded by Lu Xun in the 1930s that spread from Shanghai to other parts of China. With the belief in ‘art for the society,' Lu Xun actively promoted modern European and Soviet woodcut prints as well as organised woodcut classes, which inspired the establishment of numerous printmaking societies across China. In response to the Nationalist government’s failure to resist Japanese aggression, many of the prints were either anti-government, anti-Japanese, or overtly socialist. The expressive styles and versatile vocabulary brought a radically new look to the marginalized native medium and contributed to a movement that is unprecedented in scale and impact on the masses. During Japanese aggression in China from 1937 to 1945, many woodcut artists followed Mao Zedong’s idea of art as a political tool for mobilizing the working class and rural community. Although the nature and style of woodcuts transformed in this period, it is considered by some as the second phase of the Modern Woodcut Movement.